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MIT Black History

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Main sources for the MIT Black History Project include the Institute Archives, the MIT Museum, campus publications, and members of the MIT community. Oral history is also a valuable evidentiary tool, supplementing and enriching the store of more traditional historical evidence. Additionally, the project draws material from relevant collections and publications at large.

How Not to Make a Documentary (2012)

Larry Sass, 2014

Larry Sass and 3D-printed buildings, 2014

Gus Solomons dance

Gus Solomons in "Paradigm Shift," 2011

Phillip Ewing: Robert R. Taylor (1892) Fellow (2014)

Robert R. Taylor Limited Edition Forever Stamp, 2015

Robert R. Taylor Limited Edition Forever Stamp, 2015

Finding Your Roots: Valerie Jarrett and Robert R. Taylor (2014)

Finding Your Roots: Valerie Jarrett and Robert R. Taylor (2014)

B. Stephen Carpenter II- Double Taking and Troublemaking: Socially Engaged Practice as Intentionally Disruptive Art (2017)

Phil Freelon and David Adjaye: Smithsonian's National Museum of African American History and Culture (2016)

U.S. Supreme Court Building, 2017

U.S. Supreme Court Building, 2017

TEDxBermuda: "The House that Larry Printed" (2011)

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Have a piece of MIT black history to share?

The MIT Black History Project’s mission is to research, identify, and produce scholarly curatorial content on the MIT Black experience. If you have an important item you believe the project should consider for its collection, please start by contacting us on this website.
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The mission of the MIT Black History Project is to research, identify, and produce scholarly curatorial content on the Black experience at MIT since the Institute opened its doors in 1865.

Massachusetts Institute of Technology
77 Massachusetts Avenue
Cambridge, MA 02139

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