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MIT Black History

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Main sources for the MIT Black History Project include the Institute Archives, the MIT Museum, campus publications, and members of the MIT community. Oral history is also a valuable evidentiary tool, supplementing and enriching the store of more traditional historical evidence. Additionally, the project draws material from relevant collections and publications at large.

US C3E International Award: Rhonda Jordan Antoine (2021)

MIT Logarhythms: "Let's Stay Together" by Al Green (2014)

Celia Berry '78 sings solo part at DNC (2016)

Wonder Women of Science (2021)

Silvio Napoleon Vitale instructs two student fencers, ca. 1971

Pamela Jackson, ca. 1971

Subjective Mind by Louis Fouché (2012)

Subjective Mind by Louis Fouché (2012)

Jean Billa, Habeeb Salau, and Dzidula Kpodo in "Nkrumah's Last Day," 2022

Jean Billa, Habeeb Salau, and Dzidula Kpodo in "Nkrumah's Last Day," 2022

Bukunmi Shodipo, Irura Nyiha , and Jean Billa in "Nkrumah's Last Day," 2022

Bukunmi Shodipo, Irura Nyiha , and Jean Billa in "Nkrumah's Last Day," 2022

Dzidula Kpodo, Alayo Oloko, and Jean Billa in "Nkrumah's Last Day," 2022

Dzidula Kpodo, Alayo Oloko, and Jean Billa in "Nkrumah's Last Day," 2022

Tiera Fletcher: Finding the purpose that propels us (2023)

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  • 1910s (2)
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  • African Students' Association (ASA) (5)
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Collection

  • Rising Voices 1995-Present (51)
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Have a piece of MIT black history to share?

The MIT Black History Project’s mission is to research, identify, and produce scholarly curatorial content on the MIT Black experience. If you have an important item you believe the project should consider for its collection, please start by contacting us on this website.
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The mission of the MIT Black History Project is to research, identify, and produce scholarly curatorial content on the Black experience at MIT since the Institute opened its doors in 1865.

Massachusetts Institute of Technology
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Cambridge, MA 02139

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