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MIT Black History

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Main sources for the MIT Black History Project include the Institute Archives, the MIT Museum, campus publications, and members of the MIT community. Oral history is also a valuable evidentiary tool, supplementing and enriching the store of more traditional historical evidence. Additionally, the project draws material from relevant collections and publications at large.
Barry Vercoe and Marcus Thompson

Music Score: Synapse for Viola and Computer, 1976

Joy Buolamwini 'G: Search for Hidden Figures Grand Prize Winner

Choreographing the Campus with Adesola Akinleye (2022)

Dale Joachim: Human Environment Mobile Based Interactions Workshop (2009)

Phil Freelon and David Adjaye: Smithsonian's National Museum of African American History and Culture (2016)

Marcus Thompson with MIT Experimental Music Studio, c. 1973

Learning to scratch from DJ Rob Swift (2020)

Joy Buolamwini: "AI, Ain't I A Woman?" (2018)

David Adjaye discusses Eero Saarinen’s MIT Chapel (2016)

Finding Joy in Making, and the Making of #HellaJuneteenth: Quinnton Harris (2020)

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  • 1970s (2)
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  • African Students' Association (ASA) (1)

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  • Arts & Humanities (12)
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  • (-) Video (12)
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Collection

  • Rising Voices 1995-Present (11)
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  • Integration and Differentiation 1969-1994 (2)
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Have a piece of MIT black history to share?

The MIT Black History Project’s mission is to research, identify, and produce scholarly curatorial content on the MIT Black experience. If you have an important item you believe the project should consider for its collection, please start by contacting us on this website.
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The mission of the MIT Black History Project is to research, identify, and produce scholarly curatorial content on the Black experience at MIT since the Institute opened its doors in 1865.

Massachusetts Institute of Technology
77 Massachusetts Avenue
Cambridge, MA 02139

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