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MIT Black History

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Main sources for the MIT Black History Project include the Institute Archives, the MIT Museum, campus publications, and members of the MIT community. Oral history is also a valuable evidentiary tool, supplementing and enriching the store of more traditional historical evidence. Additionally, the project draws material from relevant collections and publications at large.
Barry Vercoe and Marcus Thompson

Music Score: Synapse for Viola and Computer, 1976

Albert E. Lindsay, 1924

Albert E. Lindsay, 1924

Carolyn Towler, 1979

Carolyn Towler, 1979

Dale Joachim: Human Environment Mobile Based Interactions Workshop (2009)

Phil Freelon and David Adjaye: Smithsonian's National Museum of African American History and Culture (2016)

Celia Berry, ca. late 1970s

Celia Berry, ca. late 1970s

MIT PhDs, 2018

MIT PhDs, 2018

Marcus Thompson with MIT Experimental Music Studio, c. 1973

Heiritage cards: Shawna Davis and Tiffany Mickel, 2019

Heiritage cards: Shawna Davis and Tiffany Mickel, 2019

Learning to scratch from DJ Rob Swift (2020)

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Have a piece of MIT black history to share?

The MIT Black History Project’s mission is to research, identify, and produce scholarly curatorial content on the MIT Black experience. If you have an important item you believe the project should consider for its collection, please start by contacting us on this website.
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The mission of the MIT Black History Project is to research, identify, and produce scholarly curatorial content on the Black experience at MIT since the Institute opened its doors in 1865.

Massachusetts Institute of Technology
77 Massachusetts Avenue
Cambridge, MA 02139

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