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MIT Black History

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Main sources for the MIT Black History Project include the Institute Archives, the MIT Museum, campus publications, and members of the MIT community. Oral history is also a valuable evidentiary tool, supplementing and enriching the store of more traditional historical evidence. Additionally, the project draws material from relevant collections and publications at large.
Prof. Larry Sass, 2009

Prof. Larry Sass, 2009

"Illuminate" by Chelsi Alise Cocking (2023)

"Sisters in Making" exhibit, 2024

MIT Libraries "Sisters in Making" exhibit, 2024

Larry Sass, 2014

Larry Sass and 3D-printed buildings, 2014

D. Fox Harrell — Virtual Identities (Future of Storytelling, 2017)

Phillip Ewing: Robert R. Taylor (1892) Fellow (2014)

Catalog card: Gus Solomons and Harold Edgerton, 1960

Catalog card: Gus Solomons and Harold Edgerton, 1960

Vibranium Culture: Race, Gender, Technology, and History in Black Panther (#WakandaUniversity), 2018

FLYER: Vibranium Culture: Race, Gender, Technology, and History in Black Panther (#WakandaUniversity), 2018

andré carrington- "The Tip of the Iceberg: Sound Studies and the Future of Afrofuturism," 2018

Lisa Osborne- "Encouraging Black Participation in VR: The Role of Gatekeepers" (2018)

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Have a piece of MIT black history to share?

The MIT Black History Project’s mission is to research, identify, and produce scholarly curatorial content on the MIT Black experience. If you have an important item you believe the project should consider for its collection, please start by contacting us on this website.
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The mission of the MIT Black History Project is to research, identify, and produce scholarly curatorial content on the Black experience at MIT since the Institute opened its doors in 1865.

Massachusetts Institute of Technology
77 Massachusetts Avenue
Cambridge, MA 02139

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