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MIT Black History

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Main sources for the MIT Black History Project include the Institute Archives, the MIT Museum, campus publications, and members of the MIT community. Oral history is also a valuable evidentiary tool, supplementing and enriching the store of more traditional historical evidence. Additionally, the project draws material from relevant collections and publications at large.

How Not to Make a Documentary (2012)

Jean Billa, Habeeb Salau, and Dzidula Kpodo in "Nkrumah's Last Day," 2022

Jean Billa, Habeeb Salau, and Dzidula Kpodo in "Nkrumah's Last Day," 2022

Bukunmi Shodipo, Irura Nyiha , and Jean Billa in "Nkrumah's Last Day," 2022

Bukunmi Shodipo, Irura Nyiha , and Jean Billa in "Nkrumah's Last Day," 2022

Dzidula Kpodo, Alayo Oloko, and Jean Billa in "Nkrumah's Last Day," 2022

Dzidula Kpodo, Alayo Oloko, and Jean Billa in "Nkrumah's Last Day," 2022

Uppercut comic by Steve Sullivan

Comic strip featuring Prof. Larry Sass, 2004

No. 18, The migration gained in momentum

"No. 18, The migration gained in momentum" by Jacob Lawrence

"Harriet" by Elizabeth Catlett

"Harriet" by Elizabeth Catlett

Booker Washington Agricultural & Industrial Institute (BWI), est. 1929

Reginald Griffith, 1955

Reginald Griffith, 1955

B. Stephen Carpenter II- Double Taking and Troublemaking: Socially Engaged Practice as Intentionally Disruptive Art (2017)

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The MIT Black History Project’s mission is to research, identify, and produce scholarly curatorial content on the MIT Black experience. If you have an important item you believe the project should consider for its collection, please start by contacting us on this website.
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The mission of the MIT Black History Project is to research, identify, and produce scholarly curatorial content on the Black experience at MIT since the Institute opened its doors in 1865.

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