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MIT Black History

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Main sources for the MIT Black History Project include the Institute Archives, the MIT Museum, campus publications, and members of the MIT community. Oral history is also a valuable evidentiary tool, supplementing and enriching the store of more traditional historical evidence. Additionally, the project draws material from relevant collections and publications at large.
Robert C. Hayden, ca. 1980

Robert C. Hayden, ca. 1980

John B. Turner, Paul E. Gray, and Clarence G. Williams, 1984

John B. Turner, Paul E. Gray, and Clarence G. Williams, 1984

Helen G. Edmonds

Helen G. Edmonds

Unveiling portrait of Shirley Jackson, 1981

Unveiling portrait of Shirley Jackson, 1981

Bang Orchestra hologram, ca. late 1980s

Bang Orchestra hologram, ca. late 1980s

Samuel Proctor, Paul Edward Gray, and Clarence G. Williams, 1981

Samuel Proctor, Paul Edward Gray, and Clarence G. Williams, 1981

April Jeffries et al. at Commencement, 1981

April Jeffries et al. at Commencement, 1981

Last Rendez-Vous (Ron's Piece) - "Challenger" (1986)

Willie Baldwin, Robert Boone, and Michael Dixon, 1980s

Willie Baldwin, Robert Boone, and Michael Dixon, 1980s

Faculty at 1984 Commencement

Faculty at Commencement, 1984

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The MIT Black History Project’s mission is to research, identify, and produce scholarly curatorial content on the MIT Black experience. If you have an important item you believe the project should consider for its collection, please start by contacting us on this website.
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The mission of the MIT Black History Project is to research, identify, and produce scholarly curatorial content on the Black experience at MIT since the Institute opened its doors in 1865.

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