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MIT Black History

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Main sources for the MIT Black History Project include the Institute Archives, the MIT Museum, campus publications, and members of the MIT community. Oral history is also a valuable evidentiary tool, supplementing and enriching the store of more traditional historical evidence. Additionally, the project draws material from relevant collections and publications at large.
POSTER: MIT & Slavery Course, 2017

POSTER: MIT & Slavery course, 2017

MIT and the Legacy of Slavery (2018)

Vibranium Culture: Race, Gender, Technology, and History in Black Panther (#WakandaUniversity), 2018

FLYER: Vibranium Culture: Race, Gender, Technology, and History in Black Panther (#WakandaUniversity), 2018

andré carrington- "The Tip of the Iceberg: Sound Studies and the Future of Afrofuturism," 2018

James Rhodes (War Machine), 2016

Illustration: James Rhodes (War Machine), 2016

Lisa Osborne- "Encouraging Black Participation in VR: The Role of Gatekeepers" (2018)

Starr Forum: Digital Innovation and Africa (2017)

Joy Buolamwini: "AI, Ain't I A Woman?" (2018)

Intersectional Tech: Exploring the Black Cultural Production of Gamers in Transmediated Culture (2020)

"Coded Bias" official trailer (2020)

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Have a piece of MIT black history to share?

The MIT Black History Project’s mission is to research, identify, and produce scholarly curatorial content on the MIT Black experience. If you have an important item you believe the project should consider for its collection, please start by contacting us on this website.
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The mission of the MIT Black History Project is to research, identify, and produce scholarly curatorial content on the Black experience at MIT since the Institute opened its doors in 1865.

Massachusetts Institute of Technology
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Cambridge, MA 02139

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